Abelas
the Sentinel

Independent Dragon Age roleplay blog.

est. Jan 2015 !

prayers

On priests and body modification.

As the organization of the hierarchies and temples of the Evanuris, their different aspects, interests, and domains are all intrinsically woven through the foundation of elvhen society, it would be natural to understand that different structures for their most formalized followers would evolve to fit the niche of their specific needs.

Some organized worshipers, such as the priestesses of Ghilan’nain, might seek to find transcendence through pain, through elaborate scarification, transformation, warging, or bloodletting, as best suited to express the aspects of their goddess.  This could be even extended to physical sacrifice, let alone the dimension of emotional, mental, or even magical sacrifice.  That is another post entirely to define.

Yet, for Mythal, and perhaps for others, I do not think priests would engage in body modification, as there is a sense that it is not “their” body to make changes to.  We know, to a degree, they defer their personhood upon initiation – Abelas canonically changed his name twice, including, notably, when entering her service. In this sense, the dedicates of the Evanuris are stripped of individual autonomy, either taking upon or receiving new identities or designations to reflect their geas. 

How this manifests, from such a point, is relative to conditioning and culture among the cults of the Evanuris.  Without recognition of the agency of the individual, body and soul are forfeit to the will of the gods.  Consider the followers of Dirthamen, souls bound to their bodies like fleshly golems with all the intelligence of the elves they are, becoming regenerative constructs to best serve his needs and purposes.  There is a broad dimensionality to which the bearers of vallaslin would be subject to transfiguration and habituation, sometimes terrifying in the scope to which it could be applied. 

While some gods and priesthoods may be more permissive of the degree to which personal affectation was followed amongst their ranks, I think the general order of the time followed paths of consistency, efficiency, and denial of change.  

As noted, those promised to the gods have no body of their own.

Before there had been a Veil, there was only the Weave. The worlds were fluid, and one, and language a thing of sensation, of memory, emotion, thought. It was known, because it was.

There is little way to describe what had been, for in losing the Weave, they lost the language, too. The corpse of Vir’Dirthara hangs in fractured space, shunted, frozen, lost in the void, and stands as reminder of the flattening of the worlds, the inability to maintain an empire that spanned dreams themselves.

And so remains the Well of Sorrows - the Source.

The nexus of collected memories of all those who walked beneath the aegis of the Great Protector, who bore her branches on their skin. Like an eternal spring bubbled by deep flowing water, the Well of Sorrows found its renewal in the living.  So long as they endured, so, too, did the last core of Mythal’s energies cling to the frayed soul of a shallow earth.  Such is the purity of the Source, the untapped waters free from the great crippling, the Sundering that smote the infinite library.

She walked these woods.  Her feet strode these halls. She was too bright; She left Her presence in the patterns of light, in the sweetness of the air.  She was seared into the memory of the place, an afterimpression burning behind closed eyes.  Her power abides here, most of all places.

And here, too, does some shadow of the tongue remain.

It is quiet, the trickling of water through the halls, carrying the whisper of Her presence.  Only the perfect, eternal stillness that claimed this place yet carries the murmur of the perennial flow.  Without this silence, the silence of the tomb, its voice would be lost.  

It had not always been a sigh. )

Countless were the channels cut through tile limned in painted gold. As other temples reflected their gods, pathways yielding patterns of arterial design, so, too, did these halls register the domain of their potentate.  This place of worship had been alive. Innumerable had been the threaded streams - conduits of water and energy to feed the Heart, the Source, the Well.  Mythal’s servants kept these channels, stood as keepers to its fonts.

In the world that was, it had been the language, the tongue.  A sip, a promise of honeysuckle and cinnamon, a kiss to the lips of the sanctified.  It was memory, words, feelings, images.  To drink was to know, and when life faded, it was to the waters Her servants returned.

What is left of the flow yet grounds this sanctuary, never the greatest, but now the last.  

The susurration of the undying waters guides the last of Her sentinels into the great sleep, anchors their souls in the devastation of the Dreaming.  They will be its guardians, until they are no more.  And the waters will fall silent.  

AESTHETIC MEME: list your muses aesthetic. anyone can do this, list your muse’s aesthetic from tastes, smells, outfits, and sceneries. add as many subjects as you like, it can help with people tagging you in aesthetically pleasing things towards your muse! (REPOST, don’t reblog!)

TAGGED BY: @idolbound & @ladyofvesuvius thank u !!!
TAGGING:  @finelendal @vindiicem, @bloedend, @republici, @katxhm @khiasa, @viratish, @amedivh, @viirdirthara, @darkestdeals, @fademarking, @rioghanborn, @theharellan, @ancientimpudence 

TASTES: Simple, hearty stews that taste of home; the ghosting of honey across his lips; the copper bite of blood from a lip split open; fibrous, fresh-plucked leaves spilling bitter tang when chewed open; cool spring water sliding down the throat;; 

SMELLS: The fetid stink of dead matter in the decaying humic underfoot; the crispness of air sweetened by clinging greens; old leather; sharp metal and the airiness of ozone; petrichor upon the temple grounds; candles of tallow and wax burnt down to the nub; fresh, wet earth;; 

SIGHTS: Choking vines wrapped around ancient trees - small things, but in centuries, enough to bring them crashing down; verdant foliage etching green channels in the crumble and cracks of holy walls; a line of faithful, heads bowed as one entity; the shapes of clouds in the block of open sky; elvhen corpses weeping blood from fatal wounds; dreams of burning spires; ancient eyes in unchanged faces; nocked arrows glancing in dappled light; toppled monuments of silent gods;;

OUTFITS: The simple robes of one who writes in magic; the golden armor of ceremony never meant to know the touch of blood; dyed cowls to cover the head in penitence; a branding of ink branches; the raiment of a sentinel;;

SOUNDS:  Birdsong and the chatter of animals in the sweep of jungle; the hollow clap of metal through empty halls; the steady hum of measured hymns; sharp, screaming metal and the crack of magic; cries cut short deep in the chest; muted weeping quickly smothered; absolute silence;; 

WHAT ARE YOUR MUSE’S AESTHETICS?

BOLD ANY WHICH APPLY TO YOUR MUSE.
ITALICIZE WHAT THEY LIKE.
REMEMBER TO REPOST & NOT REBLOG.
FEEL FREE TO ADD TO THE LIST

fire. ice. water. air. EARTH. claws. fangs. wings. GOLD.  diamonds. grass. leaves. TREES. roses. METAL. iron. RUST. RAIN. snow. lace. silk. cotton. sun. moon. stars. BLOOD. dirt. mud. silver. STEEl. sugar. salt. lavender. glass. wood. paper. wool. fur.SMOKE. ash. ocean. bruise. SCAR. wind. spices. light. dark. paint. charcoal. wine. hard liquor. SWEAT. dust. bare feet. canine. feline. coffee. teabooks. scratches. PETALS. thorns. hay. glitter. heat. cold. steam. frost. candle. sword. dagger. STAFF. arrow. hammer. shield. spikes. sand. rocks. roots. feathers. pearls. rubies. sapphires. emeralds. herbs. waves. lightning. sunlight. moonlight. clay. stone. BRICK. lions. wolves. fruit. meat. poison. medicine. shell. LEATHER. CHAIN. ribbon. love. LOSS. healer. killer. MIRROR. springSUMMER. autumn. winter. neon.

TAGGED BY: @ladyofvesuvius my vampire role model
TAGGING: @cloudgazercadash, @spunstories, @faceofabotticelliangel / @viratish, @adellaenchanted, @lionswrath, @occidentally, @unifide / @darkestdeals@damnedtwin, @viirdirthara, @khiasa, @pontificia

dominawritesthings:

I really don’t want an Abelas who serves at Solas’ side in DA4. 

I just don’t, man. I want an Abelas who gets whispered to from the darkness and realizes that Solas didn’t kill Mythal the first time, but that his hands definitely aren’t clean now.

I want an Abelas who looks at the people who lived in the temple alongside him, looks at what the Dread Wolf promises, and wonders where the poison in his gift is. 

I want an Abelas who wonders what will happen if, even if the Veil comes down, the humans still outnumber the Elvhen and have extra magic to wreak havoc with. What will happen if the Elvhen can’t quite beat back the demons created by the subsequent trauma. 

I want an Abelas who thinks about the war and who will be left to preserve all that remains of his history.

Please don’t give me an Abelas who falls in line. Give me an Abelas who fights.

He communes with his goddess in silence.

His prayers sing from the tapered edges of his blade, conjured energy condensed into cutting spirit, each muscular pull and torsion sensed like an infinity in the hyper-aware. He weeps benedictions from his pores.  Sweat collects in the hollow of his throat, trickles like oil beneath the metal plate of his armor, beads in the furrows of brows knitted in essential focus.  His gratitude looks a grimace, but in battle, he is touched by the the breath of clarity.  

He knows Mythal best when he keeps to her path.  He strains for her answer in the sharp inhalations between each arc of his weapon, in the waiting static just after the crackle and flow of his magic shrieks through the web of worlds.  He waits for her in the spaces between heartbeats.  He knows her hymns and theodicies, has spent a lifetime in negation of self, and extends all his being into a manifestation of her justice in all the spheres he has ever touched.  He loves her as he loves the Vir’Abelasan: the infinity pressed into the spaces of the finite, respected, ineffable, feared, adored.  The love of a deity is a terrible thing, consuming and splendid, platonic pathways lingering in the echoes of the wisdom she has shared with the People.  

He senses her still, in the drooping jungle trees, the dense moisture of the fetid tropical air. He breathes and inhales the memory of her, and sees her shadow cast in the impressions of the Veilfire. But he knows they are dying; his memory of her, his People, and the empty beings in the edges of his vision who glint gold and bronze, ghosts just like him.  

And so Sorrow prays more fervently, more desperately, in each waning century.  His unspoken invocations metamorphose into dirges and laments.  And he waits for his goddess to answer.

anonymous-shinra-employee-blog

I didn't look into Abelas as much as I probably should have, but I've been wondering lately... His name literally matches the Well of Sorrows. Is he just a protector of the Well or was he a high priest? Wouldn't he recognise Solas if he was? Hmm...

ageofdragon:

It seems the Abelas is a higher rank than the other guardians in Mythal’s temple, but I’m not certain if he is a high priest. After all high priests of Mythal all added and took knowledge from the Well, but Abelas obviously did not.

I think he is more like the “captain” of the guards, rather than a high priest and I’m not sure he would know Solas/Fen’Harel because of this. He would have heard stories of the Rebel God, but he probably never met Fen’Harel in the flesh and therefore doesn’t know more than the grand image of a dreaded wolf leading an army against the Evanuris.

devilishlycleverarchive

What does Abelas dream about?

image

              He dreams of T I M E.

   Time is his nursery and his foundry; the osmosis of eons which wash past the silent halls, buttresses breaking the crush of years.  They are preserved and they are made anew.  A rock tumbling in a riverbed becomes no less a thing wrought of stone when ages polish the edges away.

                                ( He shows his age. )

   And so he dreams still. Visions and fragrances of an empire which no longer exists, moving images captured like the glimpse of shadows cast, disjointed against the swell of a cavern wall.  Memories color and shape the boundaries of this living past.  A living past determined in the form of a dead world.

   Sometimes, he feels he almost pierces the yolk of the sleepers’ minds surrounding his own, bodies near but minds an infinity away, sensed but unseen, he has learned to take comfort in even this.  It is a different breed of loneliness, but he has known it for millennia.

  Now, he dreams of fire.  Of a sickness stretching across a land of the blind, the deaf, the dumb.  Stunted, earthly towers built by the scrabbling hands of an alien race, devouring maws hungry for satiation in a blink’s worth of a life.  They will not know it.  They do not know what they live without.

  He treads the edges of a new landscape in the creases of sleepers’ unremembered dreams, stepping through the Beyond into the intimacy of the impressions they left behind.

   He dreams of today. He dreams of yesterday. He dreams in the paradox of an infinite microcosm, until the sentinels wake again.

mooonborne

Acersecomic

Acersecomic: How much effort do they put into personal grooming and hygiene?

  He is fastidious, but not obsessive.  He does not mind filth accumulated in labor or duty, but he will not linger in it.  The magics that kept a sleeper in uthenera whole and vital have weakened, and it is harder to rise from it each time since the last.  There is - and was - a certain methodical nature to the life of a sentinel.  He lives, and understands, an ordered universe. Particularly in a climate as wet and seasonal as that of the Arbor Wilds, magic does only so much to keep the rigors of warm humidity at bay.

  It is, in this sense, he keeps to a general schedule, a way of life that he has adopted over centuries and to which he has kept even between his many long years of waking sleep.  He lives neatly and ascetically, and he maintains a thorough routine of hygiene according to these standards.

The Elves and the Titans

lafaiette:

Attention! Major spoilers for the Trespasser DLC!

If you destroy the gaatlok bombs in front of an eluvian in the Deep Roads, you can reach another Dread Wolf puzzle. However, there is something else in the room, something extremely interesting.

image

Another mural, depicting the Evanuris as they destroy a Titan. By activating the rune on the wall with Veilfire, you can read the following Codex entry:

In the light of the veilfire, the runes seems to shift, coiling and uncoiling like snakes. A thunderous voice shatters the stillness, shouting:

“Hail Mythal, adjudicator and savior! She has struck down the Pillars of the Earth and rendered their Demesne unto the People! Praise her name forever!”

For a moment, the scent of blood fills the air, and there is a vivid image of green vines growing and enveloping a sphere of fire.

The vision grows dark. An aeon seems to pass. Then the runes crackle, as if filled with an angry energy.

A new vision appears: Elves collapsing caverns, sealing the Deep Roads with stone and magic.

Terror, heart-pounding, ice-cold, as the last of the spells is cast.

A voice whispers:

“What the Evanuris in their greed could unleash would end us all. Let this place be forgotten. Let no one wake its anger. The people must rise before their false gods destroy them all.”


The Inquisitor comments about it, saying: “"The runes say the Evanuris fought the Titans. They mined their bodies for lyrium and… something else. It’s not clear.


Now, in the Deep Roads, you can also find notes left by a elven Qunari who was translating the Elvhen writings scattered among the ruins and the statues.

image
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The elven Qunari notices that “da’durgen’lin” actually means “dwarves” and wonders with horror what Mythal has done.

So it’s confirmed: the Elves used to hunt and kill the Titans, wishing to obtain their lyrium/blood and that “something else” the Inquisitor mentions. The part of the Deep Roads you visit in the DLC is described as a lyrium-excavating center and other notes notices how odd it is that Elven statues can be found in a dwarven area.

“You don’t go to a friend’s place, push away the statues of their gods, and put yours in their place.”

It seems, however, that Mythal actually destroyed the Titans and sealed away the dwarves to stop the other Evanuris from taking more lyrium. That would explain why her statues are in a “guarding stance” as the notes state, as if they are protecting and surveilling something.

This answers some questions, but also arises new ones: what is lyrium exactly?

Is the lyrium what gives people dream and the dwarves, being cut off from the Titans, can’t dream anymore, despite being so near it every day? Did the Evanuris wanted it to be powerful (“it fills you, within you, making our leaders proud”) and maintain their status quo over the People?